The Tattooed Poets Project: Jeanann Verlee

Here on the final day of the 2010 Tattooed Poets Project, we are featuring two tattooed poets (in two separate posts).

First up is Jeanann Verlee, who holds the distinction of being the one poet this year who met with me in person to discuss their tattoo.

Jeanann offered up her upper left arm:


The incredible detail of this piece is in the hummingbirds:



This whole tattoo is based on the cover art from her just-released first book Racing Hummingbirds (Write Bloody Press, 2010).


Jeanann knew she wanted her next tattoo to have something to do with the upcoming book. When she had the opportunity to work with an artist she respected, Tyson Schroeder, Jeanann held off on getting new ink and waited to see his art for the cover. She was happy she waited and, loving what she saw, she took the design Tyson created to her tattoo artist, Mark Harada at East Side Ink.

The racing hummingbirds design was placed adjacent to one of Jeanann's approximately fifteen other tattoos. The piece already on her arm consisted of a symbol comprised of Celtic and Nordic runes, and calla lilies, which represent transformation.

It was truly a pleasure meeting Jeanann at Grand Central Station and talking with her about her tattoos and her poetry. One of her poems, dedicated to poet Eboni Hogan, can be seen here over on BillyBlog. Eboni's tattoo (here) follows this post, and her poem is dedicated to Jeanann.

Thanks to Jeanann for taking the time to meet with me, sharing her tattoo, and rounding up an exciting 2010 Tattooed Poets Project!

*****

JEANANN VERLEE is a former punk rocker who collects tattoos and winks at boys. She is author of Racing Hummingbirds (Write Bloody Press, 2010) and her work has appeared in a number of journals and anthologies, including The New York Quarterly, PANK, FRiGG, Danse Macabre, and Not A Muse, among others. An acclaimed performance poet who co-curates the weekly reading series Urbana Poetry Slam at the Bowery Poetry Club, Verlee has performed and facilitated workshops across North America. She was co-author and performing member of national touring company The Vortex: Conflict, Power, and Choice!, charter member of the annual Spoken Word Almanac Project, and is an ardent animal rights and humanitarian activist. She lives in New York City with her best pal (a rescue pup named Callisto) and a pair of origami lovebirds. She believes in you. Learn more at JEANANNVERLEE.com.

The Tattooed Poets Project: Jeanann Verlee

Here on the final day of the 2010 Tattooed Poets Project, we are featuring two tattooed poets (in two separate posts).

First up is Jeanann Verlee, who holds the distinction of being the one poet this year who met with me in person to discuss their tattoo.

Jeanann offered up her upper left arm:


The incredible detail of this piece is in the hummingbirds:



This whole tattoo is based on the cover art from her just-released first book Racing Hummingbirds (Write Bloody Press, 2010).


Jeanann knew she wanted her next tattoo to have something to do with the upcoming book. When she had the opportunity to work with an artist she respected, Tyson Schroeder, Jeanann held off on getting new ink and waited to see his art for the cover. She was happy she waited and, loving what she saw, she took the design Tyson created to her tattoo artist, Mark Harada at East Side Ink.

The racing hummingbirds design was placed adjacent to one of Jeanann's approximately fifteen other tattoos. The piece already on her arm consisted of a symbol comprised of Celtic and Nordic runes, and calla lilies, which represent transformation.

It was truly a pleasure meeting Jeanann at Grand Central Station and talking with her about her tattoos and her poetry. One of her poems, dedicated to poet Eboni Hogan, can be seen here over on BillyBlog. Eboni's tattoo (here) follows this post, and her poem is dedicated to Jeanann.

Thanks to Jeanann for taking the time to meet with me, sharing her tattoo, and rounding up an exciting 2010 Tattooed Poets Project!

*****

JEANANN VERLEE is a former punk rocker who collects tattoos and winks at boys. She is author of Racing Hummingbirds (Write Bloody Press, 2010) and her work has appeared in a number of journals and anthologies, including The New York Quarterly, PANK, FRiGG, Danse Macabre, and Not A Muse, among others. An acclaimed performance poet who co-curates the weekly reading series Urbana Poetry Slam at the Bowery Poetry Club, Verlee has performed and facilitated workshops across North America. She was co-author and performing member of national touring company The Vortex: Conflict, Power, and Choice!, charter member of the annual Spoken Word Almanac Project, and is an ardent animal rights and humanitarian activist. She lives in New York City with her best pal (a rescue pup named Callisto) and a pair of origami lovebirds. She believes in you. Learn more at JEANANNVERLEE.com.

The Tattooed Poets Project: Eboni Hogan

On this final day of the Tattooed Poets Project 2010, we have a double treat - the tattoos and poetry of both Jeanann Verlee (here) and her friend Eboni Hogan.

What follows is a tat-alogue of Eboni's body art.

She prefaces her work with the following proclamation:

"A Note About The Artist: A majority of the work (the shoulder piece, the peacock and the cherry blossoms) on my body were done by an amazingly talented artist named Craig Spencer out of Whatever Tattoo II on St. Mark's Place who was also my boyfriend of almost four years until fairly recently. Yay! It's a sado-masochistic love story! Some liken this to getting a man's name tattooed across my boobs but I can say he is truly one of the only artists I trust with my flesh."

And now the ink:

"This shoulder piece is a custom design that took the most amount of tweaking before I actually got it inked. There are three quill pens, a skeleton key and a key hole, all tied together with ribbons. I'd had a strange dream one night in which a creepy old woman handed me a set of keys, tied to three feathers and told me that if I could find the door, the key would let me out...


...In my dream, I draped the key over my shoulder for safe keeping (dream logic...) but when I finally reached the promised door, the key and the feathers were adhered to my skin. The image stuck when I woke up and I talked to the artist about designing a similar piece. He suggested that the feathers be quill pens to pay homage to my love of poetry."

Next we have an image linked inexorably to the history of tattoos in the West, with its background in naval history. It was inked by an unidentified artist at Capitol City Tattoo in Madison, Wisconsin:

"I adore old school tattoos of the Sailor Jerry variety. I am also really active in the poetry slam community and every team I have ever been coined "the anchor"- the poet put up towards the end of a slam to (fingers crossed) make a home run. At the 2008 National Poetry Slam in Wisconsin, I decided it would be suitable to get this piece on my ribs."

Next up we have some cherry blossoms on the back of Eboni's right biceps:

"Blossom on the tree you know how I feel. Text by unknown artist, Addiction Ink, St. Mark's Place, cherry blossoms by Craig Spencer. If my life were a television series, Nina Simone's song "Feeling Good" would be the theme song. On my worst days, this is the never-fail anthem. The particular phrase that I decided on just happens to be the line in the song that feels infinitely more magical when sung at the tops of one's lungs. Try it."

And last, but not least, this lovely peacock:


"Peacocks are symbols of renewal and are revered by multiple cultures across the world. Furthermore, let's face it- they got a whole lotta swag. I found a vintage painting of a peacock that I loved though it's not the traditional green and blue image people are used to seeing. I got it on my left hip so that it could also serve as a cover-up for a pretty awful tattoo I got when I was 17 and foolish."

Thanks to Eboni for sending along so many tattoos for us here at Tattoosday. Be sure to head over to BillyBlog to read one of her poems, dedicated to poet Jeanann Verlee, here. Jeannann's tattoo (here) precedes this post, and her poem is dedicated to Eboni.

24 year-old poet, actress and Bronx native, Eboni Hogan, has performed in over 30 U.S. cities and facilitated workshops from refugee camps to prestigious universities. She studied theater at New York University's Tisch School of the Arts. She is the winner of the 2010 Women of the World Slam Poetry Slam, the 2008 Urbana Grand Slam Champion and a two time representative of the Nuyorican Slam Team. She is published in the anthologies His Rib and Double Lives and recently released her first collection of poetry entitled Grits through Penmanship Books.

The Tattooed Poets Project: Eboni Hogan

On this final day of the Tattooed Poets Project 2010, we have a double treat - the tattoos and poetry of both Jeanann Verlee (here) and her friend Eboni Hogan.

What follows is a tat-alogue of Eboni's body art.

She prefaces her work with the following proclamation:

"A Note About The Artist: A majority of the work (the shoulder piece, the peacock and the cherry blossoms) on my body were done by an amazingly talented artist named Craig Spencer out of Whatever Tattoo II on St. Mark's Place who was also my boyfriend of almost four years until fairly recently. Yay! It's a sado-masochistic love story! Some liken this to getting a man's name tattooed across my boobs but I can say he is truly one of the only artists I trust with my flesh."

And now the ink:

"This shoulder piece is a custom design that took the most amount of tweaking before I actually got it inked. There are three quill pens, a skeleton key and a key hole, all tied together with ribbons. I'd had a strange dream one night in which a creepy old woman handed me a set of keys, tied to three feathers and told me that if I could find the door, the key would let me out...


...In my dream, I draped the key over my shoulder for safe keeping (dream logic...) but when I finally reached the promised door, the key and the feathers were adhered to my skin. The image stuck when I woke up and I talked to the artist about designing a similar piece. He suggested that the feathers be quill pens to pay homage to my love of poetry."

Next we have an image linked inexorably to the history of tattoos in the West, with its background in naval history. It was inked by an unidentified artist at Capitol City Tattoo in Madison, Wisconsin:

"I adore old school tattoos of the Sailor Jerry variety. I am also really active in the poetry slam community and every team I have ever been coined "the anchor"- the poet put up towards the end of a slam to (fingers crossed) make a home run. At the 2008 National Poetry Slam in Wisconsin, I decided it would be suitable to get this piece on my ribs."

Next up we have some cherry blossoms on the back of Eboni's right biceps:

"Blossom on the tree you know how I feel. Text by unknown artist, Addiction Ink, St. Mark's Place, cherry blossoms by Craig Spencer. If my life were a television series, Nina Simone's song "Feeling Good" would be the theme song. On my worst days, this is the never-fail anthem. The particular phrase that I decided on just happens to be the line in the song that feels infinitely more magical when sung at the tops of one's lungs. Try it."

And last, but not least, this lovely peacock:


"Peacocks are symbols of renewal and are revered by multiple cultures across the world. Furthermore, let's face it- they got a whole lotta swag. I found a vintage painting of a peacock that I loved though it's not the traditional green and blue image people are used to seeing. I got it on my left hip so that it could also serve as a cover-up for a pretty awful tattoo I got when I was 17 and foolish."

Thanks to Eboni for sending along so many tattoos for us here at Tattoosday. Be sure to head over to BillyBlog to read one of her poems, dedicated to poet Jeanann Verlee, here. Jeannann's tattoo (here) precedes this post, and her poem is dedicated to Eboni.

24 year-old poet, actress and Bronx native, Eboni Hogan, has performed in over 30 U.S. cities and facilitated workshops from refugee camps to prestigious universities. She studied theater at New York University's Tisch School of the Arts. She is the winner of the 2010 Women of the World Slam Poetry Slam, the 2008 Urbana Grand Slam Champion and a two time representative of the Nuyorican Slam Team. She is published in the anthologies His Rib and Double Lives and recently released her first collection of poetry entitled Grits through Penmanship Books.

Amanda's Right Biceps

I met Amanda outside of Madison Square Garden in April and she graciously allowed me to pick from one of her estimated fourteen to fifteen tattoos.

I chose this piece on her inner right biceps:


This is part of a greater plan for her arm which has a "cowboys and Indians" theme.

This design, which fits the traditional "old school" style of tattoo, was inked by Christian Peters of The Devil's Rose Tattoo in Long Island. Work from Devil's Rose appeared previously here on Tattoosday.

Thanks to Amanda for sharing this old-school tattoo with us here on Tattoosday!

Amanda's Right Biceps

I met Amanda outside of Madison Square Garden in April and she graciously allowed me to pick from one of her estimated fourteen to fifteen tattoos.

I chose this piece on her inner right biceps:


This is part of a greater plan for her arm which has a "cowboys and Indians" theme.

This design, which fits the traditional "old school" style of tattoo, was inked by Christian Peters of The Devil's Rose Tattoo in Long Island. Work from Devil's Rose appeared previously here on Tattoosday.

Thanks to Amanda for sharing this old-school tattoo with us here on Tattoosday!

The Tattooed Poets Project: Cody Todd

We are extending the Tattooed Poets Project through the weekend, giving those who have been enjoying the poetic ink, a little bit more to tide them over until next year.

Today we are being visited by an old friend, Cody Todd, whose tattoos appeared here last year.

This is his latest tattoo, four weeks old, inked at Purple Panther Tattoos off of Sunset in Los Angeles:


Cody provided this explanation:

Not too much of a story behind this. It is Marv and Goldie from the "The Hard Goodbye" of Frank Miller's Sin City. The artist who did this is from Tokyo, and her name is Koko Ainai. I admire the precision of her work in copying Miller's extremely elaborate sketching. As Marv and Goldie embrace, he is holding a gun he apparently took away from her and a bullet hole is smoldering in his right shoulder as he lifts her off the ground. That tattoo is the first of what is going to be a kind of sleeve in parts in which I take different scenes from noir films or works and decorate my whole left arm with. Upon seeing Farewell My Lovely with my girlfriend last week, I decided to get the front end of a 1934 or 1936 Buick as my next tattoo.

...I am doing my critical work for my PhD at USC on the "western noir," which is a term I sort of coined for a specific genre of film and literature concerned with elements that typically comprise classical film noir, except they take place in cities in the western part of the United States. As we see in the film, Sin City, it has a "Gothic City" feel to it, but it is most certainly somewhere out in western Nevada, or California. I think the motifs of lawlessness, street and vigilante justice, and the disillusionment with the American Dream are all at work in this kind of genre, and that it also borrows many elements from the Western as a genre as well. If anyone wants to read good literary western noir, I would direct them, promptly, to read Daniel Woodrell, who takes the noir theme and brings it to the Ozarks and southwest Missouri. If Chandler and Faulkner had a love-child, it most certainly would be Woodrell.

Head over to BillyBlog and read one of Cody's poems here.

Cody Todd is the author of the chapbook, To Frankenstein, My Father (2007, Proem Press). His poems have appeared in Hunger Mountain, Salt Hill and are forthcoming in Lake Effect, The Pinch, Specs Journal and Denver Quarterly. He received an MFA from Western Michigan University and is currently a Virginia Middleton Fellow in the PhD program in English-Literature/Creative Writing at the University of Southern California. He is the Managing Editor and co-creator of the poetry journal, The Offending Adam (www.theoffendingadam.com).