The Tattooed Poets Project: Izzy Oneiric

Today's tattooed poet is Izzy Oneiric, who sends us this amazing shot of her sleeve:

I'll let Izzy take it from here:

"My sleeve took 11 years to complete. The figure in the center is Dream from the Sandman graphic novel. I first saw it when I was 14, and knew instantly I wanted it tattooed. I got it a few months after I turned 18 by Steve at the Lion's Den in Salem, New Hampshire. Eight years later I was living in San Francisco, and wanted to add to it. I knew it needed some sort of dream imagery, but it was difficult to narrow that down. I began interrogating the basic elements of dreams, and thought one day: 'If DNA is the basis for all human life, could it also be the basis of dream life? What would a strand of dream DNA look like?' Using the work of Patrica Garfield, a clinical psychologist who's identified 12 universal dream themes that transcend age, location, gender, etc. I started designing the double helix; quickly realizing not all 12 would fit on my arm. On my shoulder is a blue moon; in a double-helix pattern around my arm are Royal typewriter keys with hobo symbols (representing communication/ miscommunication), weaving into a peacock from the Russian Tarot of St Petersburg (representing mythical creatures/animal friends). This was done by Natalie Chandler, at the time working at Black and Blue Tattoo. 

I wanted to fill in the background, but didn't want to disrupt the double-helix shape. I couldn't figure out how to do that, so I left it alone. A few years later, I was working at Cold Steel Tattoo & Piercing. On a whim one evening I googled 'double helix,' and one of the results was the image of a nebula in the shape of a DNA strand!

The colors and the shape were perfect. I brought it to my friend Vincent Weiner who was tattooing there, and we worked on it in bits and pieces. I tried to pay him, but he refused my money. I asked how I could compensate him for several thousand dollars worth of work. He was waiting for his wife to get her green card, so he said 'Nobody's baking for me right now. I'd really love some chocolate-chip cookies.' For every session I brought cookies, banana bread, cranberry muffins, some weird chocolate-coconut drops... 

I'd always dreamed of having stars on the piece, and in Morpheus' eyes. I'd tried surface piercings with PTFE bars, but they all rejected, so I was greatly excited when people began experimenting with dermal anchors and reporting success. About a year later I was living in New Orleans and learned that Adam at Electric Ladyland (now at Slave to the Needle in Seattle) was doing them. 

We 'bedazzled' my arm with six Swarovski crystals. They healed nicely until I moved to Chicago, when they suddenly all rejected. Now that I'm back in New Orleans, I'd like to get them reinstalled."

This is definitely the first time we've highlighted body art which included dermal anchors. Very cool!

Izzy sent along this prose poem to accompany her contribution:

Blue Roses are Blooming in Safeway

Oracle asses were tickled by gas plumes. We know now—what of it? Ethylene case closed diminished returned to sender . . . send her Erato Echo Glossalalia babble bury shovel stop. I. I. I. Decline. To state. To play. So there. Repeat. Blue roses are blooming in Safeway. Champagne ruby is slang for magnum. Artaud’s black crucifix pupils ablaze in golden eyes I plagiarized because I want to see so badly but I gotta walk past flooded lottos, plainclothes Cutlasses, Dinner, Linner, 4th meal, Dunch—neologisms like I am a woman, half eaten mosquitoes and Teardrop Mike wanting guilty date, a guilty beer, because all American women drink and don’t have any Mexican friends.

Animist, manimal, my keys do not break. There are escalators in my head watering flowerbeds with ropes of crystal spit, burping readymade Rubbermaid green baby coffins, smoking Christmas in a jaundiced sky. 

Over beef tea and sheepish mirrors, defective alexandrines tell me it gets easier with practice, hurts a little less each time. Like so much decapitated obsidian, we know not now how high the ledge is very high, this crisis not of poetry but concrete and well, since Pythia choked on the geyser she’s gone now, my hair caught on fire, please tune my viola, I know a few songs from when I was a child. Stardust Memories—yes, I can play that piece quite well.

~ ~ ~

Izzy Oneiric's writing has appeared in publications such as Wheelhouse Magazine, Source Material, and Phantom Limb.  A series of visual collages were published in Plath Profiles. She is the author of the chapbooks Dabbling in Babylon, and From the Bombshell Shelter.  For several years she was the poetry editor of other magazine. She holds a BA in Interdisciplinary Studies from the California Institute of Integral Studies and an MFA in Poetry from Columbia College Chicago. She currently lives in New Orleans with her loving partner and their spazzy black cat.

Thanks to Izzy for her contribution to the Tattooed Poets Project on Tattoosday!

This entry is ©2012 Tattoosday. The poem and tattoo are reprinted with the poet's permission.

If you are reading this on another web site other than Tattoosday, without attribution, please note that it has been copied without the author's permission and is in violation of copyright laws. Please feel free to visit http://tattoosday.blogspot.com and read our original content. Please let me know if you saw this elsewhere so I contact the webmaster of the offending site and advise them of this violation in their Terms of Use Agreement.

Seth's Phoenix

Yesterday's post featured a sleeve from a guy named Phoenix. Today we have a sleeve that centers around a phoenix.

Anyone who's spent any time in New York City could tell you that bike messengers have a lot of great ink. Not all, of course, but quite a few. Fixtures in the city streets, especially in warmer months, if they're not zipping by on their bikes, you can often catch a glimpse of something cool. However, I've featured very few of these folks, just because they're usually in such a hurry, it's hard to catch them.

Fortunately, I spotted Seth securing his bicycle under Madison Square Garden late one afternoon back in September, and I had a chance to compliment his sleeve, at the center of which is this phoenix:

Sleeves are often challenging to portray on Tattoosday, as they generally require multiple shots and several takes, preferably in a controlled environment, like, say, a tattoo studio. But I always try to do my best to capture more than just the central element.

Seth credits his work to Jacob Redmond, when he was at Oddball Studios in Portland, Oregon. Redmond has since moved to Atlas Tattoo, also in Portland.

Thanks to Seth for sharing his phoenix with us here on Tattoosday!

This entry is ©2011 Tattoosday.

If you are reading this on another web site other than Tattoosday, without attribution, please note that it has been copied without the author's permission and is in violation of copyright laws. Please feel free to visit http://tattoosday.blogspot.com and read our original content. Please let me know if you saw this elsewhere so I contact the webmaster of the offending site and advise them of this violation in their Terms of Use Agreement.

Tim's Sleeve Illustrates A Vision of Life on Earth

I met Tim back in April in Penn Station and took several pictures of his left arm, which is fully-sleeved. What follows is a presentation of the work, from top to bottom:

There's a lot going on here, but Tim summed the theme of the sleeve as "Hell is the world we're living in, and we're all trying to escape Death." The top of the arm features the angel, Gabriel, watching over us.

The city that is burning is based on Boston, where Tim is from.

Tim estimates that this sleeve took twenty-seven hours, in three nine-hour sessions. Yes, you read that right, nine-hour sessions! That's commitment! He credits Dan Soule at Milltown Ink in Bondsville, Massachusetts with this incredible work.

Thanks to Tim for sharing his sleeve with us here on Tattoosday!

This entry is ©2011 Tattoosday.

If you are reading this on another web site other than Tattoosday, without attribution, please note that it has been copied without the author's permission and is in violation of copyright laws. Please feel free to visit http://tattoosday.blogspot.com and read our original content. Please let me know if you saw this elsewhere so I contact the webmaster of the offending site and advise them of this violation in their Terms of Use Agreement.

Christine's Sleeve of Colorful Flowers and Butterflies

Some posts don't need a lot of explaining. I met Christine on 3rd Avenue in Bay Ridge earlier this month, and she shared these stunning tattoos, perfect for celebrating on a warm spring day:

The Tiger lily and Red-spotted Purple butterfly above are only the top section of a full sleeve:

The flowers on the forearm are Violets, which span the inside of Christine's arm, as well:

And that's an American Painted Lady butterfly in the ditch.

This amazing, and vibrantly colorful sleeve was inked by Tim O'Connor at The Red Parlour in the Woodside section of Queens, New York. We featured work by Tim and The Red Parlour once before, here, back in 2008.

Thanks to Christine for sharing her wonderful sleeve with us here on Tattoosday!

This entry is ©2011 Tattoosday.

If you are reading this on another web site other than Tattoosday, without attribution, please note that it has been copied without the author's permission and is in violation of copyright laws. Please feel free to visit http://tattoosday.blogspot.com and read our original content. Please let me know if you saw this elsewhere so I contact the webmaster of the offending site and advise them of this violation in their Terms of Use Agreement.

John's Root People

At the end of July, I coincidentally exited the A train at 14th Street at the same time as John, who was visiting from Nevada.

I had been admiring his sleeve on the train, but didn't have the opportunity to speak to him about it until after he got off the subway.

He referred to these creatures as "Root People":

It's an abstract collaboration with the artist, Rickett, at The Ruby Lantern in Carson City, Nevada.

They started working together in January of this year, and they're not yet finished with the whole sleeve. As you can tell, it's very unusual and has a very unique approach.

These designs are all on John's right arm, and I am particular to the female tree person above on his inner forearm.

Thanks to John for sharing his Root People here with us on Tattoosday!

Tattoosday Goes To Hawai'i: Mark's Sleeve Pays Tribute to East and West

I spent a good chunk of time at Ala Moana Center one of the days I was in Hawai'i. Even in paradise, malls are great places for inkspotting.

It was there that I met Mark, who had a full sleeve to offer up.

Now, before we begin, let me just say that I generally shy away from featuring full sleeves here on Tattoosday, out of respect to the host, the artist and, most of all, the tattoo. A work of art laid across flesh is often difficult to express in two-dimensional photos on a computer screen.

But Mark's sleeve was exceptional and I loved the color detail in the work. So let's check it out....

Items to note in this work:

Mark was born in the year of the Snake, which explains the serpent.

He was also born during Autumn, which is why the Japanese Maple leaves are sporting fall colors.

It's also generally non-traditional to see a bright red rose in a sleeve that is predominantly Japanese. He incorporated because he is, as he described it, "hapa," a shortened form of "hapa haole," or a person of mixed heritage, part of which is Caucasian. To make a long story short, the red rose is a nod to the "Western" aspect of his lineage, as it is more a traditional element in tattoos in the west. The rose is complimented by the chrysanthemum, which is a more traditional Japanese flower design.

Similarly, the skull element at the top of the arm is more of a Western flavor, juxtaposed nicely with another chrysanthemum.

I also love the multicolored pebbles in the design. They really pop out, especially among the milder tones of the autumn leaves and snake scales.

Mark informed me that the whole sleeve was completed in five or six sittings by Lucky Olelo at Soul Signature Tattoo in Honolulu.

Thanks to Mark for sharing his amazing work with us here on Tattoosday!

Tattoosday Goes To Hawai'i: Mark's Sleeve Pays Tribute to East and West

I spent a good chunk of time at Ala Moana Center one of the days I was in Hawai'i. Even in paradise, malls are great places for inkspotting.

It was there that I met Mark, who had a full sleeve to offer up.

Now, before we begin, let me just say that I generally shy away from featuring full sleeves here on Tattoosday, out of respect to the host, the artist and, most of all, the tattoo. A work of art laid across flesh is often difficult to express in two-dimensional photos on a computer screen.

But Mark's sleeve was exceptional and I loved the color detail in the work. So let's check it out....

Items to note in this work:

Mark was born in the year of the Snake, which explains the serpent.

He was also born during Autumn, which is why the Japanese Maple leaves are sporting fall colors.

It's also generally non-traditional to see a bright red rose in a sleeve that is predominantly Japanese. He incorporated because he is, as he described it, "hapa," a shortened form of "hapa haole," or a person of mixed heritage, part of which is Caucasian. To make a long story short, the red rose is a nod to the "Western" aspect of his lineage, as it is more a traditional element in tattoos in the west. The rose is complimented by the chrysanthemum, which is a more traditional Japanese flower design.

Similarly, the skull element at the top of the arm is more of a Western flavor, juxtaposed nicely with another chrysanthemum.

I also love the multicolored pebbles in the design. They really pop out, especially among the milder tones of the autumn leaves and snake scales.

Mark informed me that the whole sleeve was completed in five or six sittings by Lucky Olelo at Soul Signature Tattoo in Honolulu.

Thanks to Mark for sharing his amazing work with us here on Tattoosday!

All I Want for Christmas is a Tattoo with Teeth

On Christmas Eve afternoon, I was passing through Penn Station, I spotted Lindsay, a woman with what appeared to be a sleeve that had a water-inspired design.

It wasn't until after I approached her and asked if she wanted to contribute to Tattoosday that I saw, as she rolled up her sleeve, what awesome work she had done on her left arm:


Lindsay said that, like all of her 14 or 15 tattoos, none of them have "deep meaning". She just goes with whatever she describes as an "intense urge" at the time she's getting the tattoo.

The sleeve above started with her taking photos with stylings to the artist, saying she wanted a bloody shark. This was the first part of the tattoo:


She then expanded it with this segment of shark


which is certainly reminiscient of the movie poster for Jaws.


This piece was created in four sittings lasting 3-4 hours each, by John Reardon at Saved Tattoo (which was the shop responsible for yesterday's post, too).

Work from John Reardon has appeared here on Tattoosday previously. Work from Saved appearing on the site can be seen here. Reardon is also the author of The Complete Idiot's Guide to Getting a Tattoo.

Thanks to Lindsay for taking the time to share her incredible shark sleeve with us here on Tattoosday!

Merry Christmas and Happy Holidays!!

All I Want for Christmas is a Tattoo with Teeth

On Christmas Eve afternoon, I was passing through Penn Station, I spotted Lindsay, a woman with what appeared to be a sleeve that had a water-inspired design.

It wasn't until after I approached her and asked if she wanted to contribute to Tattoosday that I saw, as she rolled up her sleeve, what awesome work she had done on her left arm:


Lindsay said that, like all of her 14 or 15 tattoos, none of them have "deep meaning". She just goes with whatever she describes as an "intense urge" at the time she's getting the tattoo.

The sleeve above started with her taking photos with stylings to the artist, saying she wanted a bloody shark. This was the first part of the tattoo:


She then expanded it with this segment of shark


which is certainly reminiscient of the movie poster for Jaws.


This piece was created in four sittings lasting 3-4 hours each, by John Reardon at Saved Tattoo (which was the shop responsible for yesterday's post, too).

Work from John Reardon has appeared here on Tattoosday previously. Work from Saved appearing on the site can be seen here. Reardon is also the author of The Complete Idiot's Guide to Getting a Tattoo.

Thanks to Lindsay for taking the time to share her incredible shark sleeve with us here on Tattoosday!

Merry Christmas and Happy Holidays!!

Benjamin's Amazing Viking-Geisha Sleeve by Tim Kern

Please join me as I extend a metaphor.

I approach inkblogging as if I were one of those guys that goes out on the beach with a metal detector.

You find a lot of interesting stuff and, every once in a while, you find treasure.

Earlier this month, I saw a man in front of Madison Square Garden walking south. I was headed in the opposite direction and, despite my general reluctance to post sleeves here (I wonder if I can even do them justice), I stopped and asked him to show me the amazing work on his right arm.

I should also preface this by acknowledging how awesome it is to randomly find work by a tattoo artist who is at the top of his game, and is a recognized talent in the tattoo community.

Benjamin, the guy I stopped, was visiting New York from Denmark to see his artist, Tim Kern at Tribulation Tattoo. He was in town to begin work on a new sleeve. Benjamin happily shared his first sleeve:


Benjamin summarized the theme of his arm by stating that life is about choices. The two extrmes are, you can take a life, as represented by the Viking warrior at the top of the shoulder:


This is juxtaposed by the geisha who is taking her own life through ritual suicide:


The detail of the blood-spattered hand holding the seppuku blade is fascinating in its stark grisliness:


The sleeve also includes stunning waterfall and pagoda elements on the inside of the arm:


I especially appreciate the beauty and shading of the pagoda:


The color and artistry of this entire sleeve are astonishing and we are honored that Benjamin consented to contributing this work to Tattoosday.

We thank him and the artist Tim Kern for their work!

Benjamin's Amazing Viking-Geisha Sleeve by Tim Kern

Please join me as I extend a metaphor.

I approach inkblogging as if I were one of those guys that goes out on the beach with a metal detector.

You find a lot of interesting stuff and, every once in a while, you find treasure.

Earlier this month, I saw a man in front of Madison Square Garden walking south. I was headed in the opposite direction and, despite my general reluctance to post sleeves here (I wonder if I can even do them justice), I stopped and asked him to show me the amazing work on his right arm.

I should also preface this by acknowledging how awesome it is to randomly find work by a tattoo artist who is at the top of his game, and is a recognized talent in the tattoo community.

Benjamin, the guy I stopped, was visiting New York from Denmark to see his artist, Tim Kern at Tribulation Tattoo. He was in town to begin work on a new sleeve. Benjamin happily shared his first sleeve:


Benjamin summarized the theme of his arm by stating that life is about choices. The two extrmes are, you can take a life, as represented by the Viking warrior at the top of the shoulder:


This is juxtaposed by the geisha who is taking her own life through ritual suicide:


The detail of the blood-spattered hand holding the seppuku blade is fascinating in its stark grisliness:


The sleeve also includes stunning waterfall and pagoda elements on the inside of the arm:


I especially appreciate the beauty and shading of the pagoda:


The color and artistry of this entire sleeve are astonishing and we are honored that Benjamin consented to contributing this work to Tattoosday.

We thank him and the artist Tim Kern for their work!